Shrifti Studii Lebedeva

The two notches above the Pali, as seen from the Nu‘uanu side. 'They said 'Oh its pretty hard.' The boys went up there' Mel relates, speaking of the 1995 Commemoration ceremony. It's very narrow and crumbly up the top. 'To have a force in a matter of a couple of days dig that out to place cannon, I think would be a little hard to do, given the time they had.'
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Catty “slice-of-life” (actually – no, not really) comics with the occasional incursion into solipsists musing? [] Actually, yeah, yeah – that’s rather typical Russian webcomic 🙂 I mean – it *must* be a webcomic format, judging by the short-strips format and stuff. I’m quite surprised it was a thing in the “ancient ages” of mid 2000s. And, of course, back then both PCs and access to the Net were not as widespread as, say, now, so there was a certain fleur of intellectual, eh, “elitism” (in the good meaning of that word).
Well, and pretentiousness. Like, “Am I really that dumb for not grasping the genial hidden depths of author’s philosophical meta-narrative?” in constant conflict with “There is no spoon hidden depth at all – that’s indeed someone’s “not-quite-slice-of-life” comic” in your head. And now for something completely different. At first announcement, I decided to have a good fashioned wall-of-texty rant about superheroic genre of the comics.
Last week I changed my mind. On the one hand – “Black Widow” is not quite a super-hero(ine). On the other – I came to the conclusion, that for me to have a rant on the topic would just ironically channel this memetic scene. A webcomic that looks like it’s drawn by a professional, not a child or someone ripping off manga style?” Tishchenkov been working in Artyom Artemiy Lebedev’s famous (in Russia) “Studio of WebDesign” since 2000 and till 2009.
He began posting scanned pages of his handdrawn “Tomcat” strips on his LJ (). Note – LJ was a hugely opular platform in 2000s where “everyone knew everyone”. Therefore, he gained enough of “hype” so that complete collection of the strips became a hit when it was finally released in 2008 in hardcover (!) book with the enormous printing run of 3800 copies (that’s a lot for a “not serious” thing like a comic book). Tishchenkov’s fame came from the Net and returned to it.
He has several other comic books released, and now lives in Toronto, also, he keeps in touch with his former collegues in Lebedev’s Studio.
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